Red Flags
- Sondre Lerche
Key: auto auto ·
Orig: auto ·
Capo:
·
Time: 4/4 ·
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www.khmerchords.com/chords/3979082
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INTRO
C G/C C9 Dm7/C Fm/C C F#o/C F/C G
VERSE
C G/C C9 Dm7/C
Red flags are vying for my attention
Fm/C C
Nothing adds up
F#o/C F/C G
Getting by on old goodwill
C G/C C9 Dm7/C
Backtracking thoughts from their destination
Fm/C C F#o/C F/C G
I closed my eyes thinking I could keep up still
Am Bb C D
How do you know your limits, honey?
Dm G Fm/C
How do you walk the line?
CHORUS
F G
My vision was blurry as dawn faded in
C G/B Bb A7 Em7(b5)
But I saw you on the roof tonight
F G
I wouldn't just say this to mess with your head
C G/C C9 F/C Fm/C C F#o/C F/C G
I saw you on the roof tonight
VERSE
C G/C C9 Dm7/C
You have a gift for compelling defense
Fm/C C F#o/C F/C G
Even tonight I considered every word
C G/C C9 Dm7/C
But I can�??t summon the needed credence
Fm/C C F#o/C F/C G
Once off the hook you dissolve and I concur
Fm/C C
And so it goes
Am Bb7 C D
You re - main unattainable
Dm7 G E7/G#
I�??m high then low but tell me just
Am Bb C D
How did you know my weakness honey?
Dm7 G Fm/C
How do you walk the line?
CHORUS
F G
Turns out I�??m a witness, what�??s your alibi?
C G/B Bb A7 Em7(b5)
I saw you on the roof tonight
F G
I wouldn�??t just say it to mess with your head
C G/B Bb A7 Em7(b5)
I saw you on the roof tonight
F G
My vision was blurry cause dusk used to run the show
Dm7 G7 Dm7 Gsus G7
Fading in, fading in
BRIDGE
Gm/C F
All the footwork
F#o7 Em
All the charades
Fm F#o7
What�??s it for?
Fm
Fingers crossed
C G/B Bb A7
Once I�??ve lost all trust in you
Dm7 G Fm/C Fm/C C7M C7M
I can�??t lose you anymore
CHORUS
F G
And so I�??ve decided to stick to my guns
C G/B Bb A7 Em7(b5)
I saw you on the roof tonight
F G
It seems I�??m a witness, what�??s your alibi?
C G/B Bb A7 Em7(b5)
I saw you on the roof tonight
F G
My vision was blurry but I can�??t deny
C G/B Bb A7 Em7(b5)
That I saw you on the roof tonight
F G
I swear I don�??t say this to mess with your head, ohh --
C7M Fm6
000000 | 000000 | 111111 | 111111 |
101010 | 101010 | 333333 | 333333 |
000000 | 000000 | 111111 | 111111 | *-my interpretation of the fast section
222222 | 222222 | 333333 | 333333 | with the B string doing the note-changes.
333333 | 333333 | xxxxxx | xxxxxx |
xxxxxx | xxxxxx | xxxxxx | xxxxxx |
Dm7 G7 Dm7 G7
Fading in, Fading in
C7M Fm6
000000 | 000000 | 111111 | 111111 |
101010 | 101010 | 313131 | 313131 |
000000 | 000000 | 111111 | 111111 |
222222 | 222222 | 333333 | 333333 |
333333 | 333333 | xxxxxx | xxxxxx |
xxxxxx | xxxxxx | xxxxxx | xxxxxx |
Dm7 G7b9 Dm7 G7b9 Dm7 G7b9 Fm/G G7
Am Bb C D
How do you know your limits, honey?
Dm7 G Am Am/G F C/E Ebo7 D7
How do you walk the line?
OUTRO
C G/C C9 Dm7/C Fm/C C F#o/C F/C G C
========================================================
Enjoy! Please let me know what you think in the comments!
-ClassicalfreaK











