Washer
- Slint
Key: auto auto ·
Orig: auto ·
Capo:
·
Time: 4/4 ·
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------
Intro
------
Fig. 1 - Play quietly
{tab: e|----------------------------------------------------------------|}
{tab: B|----------------------------------------------------------------|}
{tab: G|----------------------------------------------------------------|[x 2]}
{tab: D|--7-7-7-7-7-7-7-7-5-5-5-5-5-5-5--4-4-4-4-4-4-4-4-2-2-2-2-2-2-2--|}
{tab: A|--6-6-6-6-6-6-6-6-6-6-6-6-6-6-6--3-3-3-3-3-3-3-3-3-3-3-3-3-3-3--|}
{tab: E|----------------------------------------------------------------|}
Fig. 2 - Main guitar theme
{tab: e|-------------------------------------------------------------|}
{tab: B|------8----8----7----7----7~----3-----3----3---------0---0~--|}
{tab: G|------------------------------------------------0--3---3-----| [x 5]}
{tab: D|----5----5----5----5----5-----2-----2----2----1--------------|}
{tab: A|--7----7----7----7----7-----3-----3----3----3----------------|}
{tab: E|-------------------------------------------------------------|}
--------
Verse 1
--------
E5, Cmaj7a x 3
Cmaj7a switches quietly
to the follow dyad each
of the three times played:
Fig. 3
{tab: e|------|}
{tab: B|------|}
{tab: G|------|}
{tab: D|--4~--|}
{tab: A|--3~--|}
{tab: E|------|}
Em7, Cmaj7b x 1
Chords used:
E5__Cmaj7a__Cmaj7b__Em7
{tab: e|-----| e|------| e|------| e|-----|}
{tab: B|-----| B|------| B|--0~--| B|--3~-|}
{tab: G|-----| G|--0~--| G|--0~--| G|--0~-|}
{tab: D|--2~-| D|--2~--| D|--2~--| D|--2~-|}
{tab: A|--2~-| A|--3~--| A|--3~--| A|--2~-|}
{tab: E|--0~-| E|------| E|------| E|--0~-|}
---------
Bridge 1
---------
Fig. 2 x 4
--------
Verse 2
--------
As
Verse 1
With exception to the third time played
when E5 quietly switches an Esus4:
Esus4
{tab: e|-----|}
{tab: B|-----|}
{tab: G|--2~-|}
{tab: D|--2~-|}
{tab: A|--2~-|}
{tab: E|--0--|}
---------
Bridge 2
---------
As
Bridge 1
------------
Interlude 1
------------
Fig. 4 *
{tab: e|-------------------------------------------------------------|}
{tab: B|-------------------------------------------------------------|}
{tab: G|-------------------------------------------1----1----1---0~--|}
{tab: D|------2----2----2----1----1------1----1----1----1----1---1~--|}
{tab: A|----0----0----0----0----0------2----2----2----2----2---2-----|}
{tab: E|--2----2----2----2----2----2-0----0----0----0----0-----------|}
*
Fig. 4 cont.
{tab: e|-----------------------------------------------------|}
{tab: B|-----------------------------------------------------|}
{tab: G|--0---0----0----0----0----0----0----0----0----0------|}
{tab: D|--1-----1----1----1----1----1----1----1----1----1----|}
{tab: A|----2-----2----2----2----2----2----2----2----2----2--|}
{tab: E|-----------------------------------------------------|}
Fig. 4 cont.
{tab: e|---------------------------------------------|}
{tab: B|---------------------------------------------|}
{tab: G|---------------------------------------------|}
{tab: D|-----4---4---4---4---4----2---2---2---2---2--|}
{tab: A|--s6---6---6---6---6---s3---3---3---3---3----|}
{tab: E|---------------------------------------------|}
A second guitar plays the
following figure at the point
the asterisks are shown in Fig. 4:
Fig. 5
{tab: e|-------------------------------------------------------------------|}
{tab: B|-------------------------------------------------------------------|}
{tab: G|-------------------------------------------------------------------|}
{tab: D|----------1~~-2~-s5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5--|}
{tab: A|----2~~-2----------------------------------------------------------|}
{tab: E|--0----------------------------------------------------------------|}
Fig. 5 cont.
{tab: e|-------------------------------------------------------------------|}
{tab: B|-------------------------------------------------------------------|}
{tab: G|--s4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4--0-0-0-0-0-0-0--|}
{tab: D|----------------------------------------------------2-2-2-2-2-2-2--|}
{tab: A|-------------------------------------------------------------------|}
{tab: E|-------------------------------------------------------------------|}
-----------
Interlude 1
Part II:
-----------
One guitar plays the
following figure:
Fig. 6
{tab: e|---------------------------|}
{tab: B|-------0~------------------|}
{tab: G|-------3~--0~-----0~---2~--| [x 2]}
{tab: D|--2-2~-2~--5~--2~-2~---0~--|}
{tab: A|--2-2~-----7~--3~----3-----|}
{tab: E|--0-0~-----0~--3~----------|}
The second guitar plays
this over Fig. 6:
Fig. 7
{tab: e|---------------------------------------------------------------|}
{tab: B|---------------------------------------------------------------|}
{tab: G|---------------------------------------0---------------2-------| [x 2]}
{tab: D|-----0------0-----0-----0----------0------0-------0------0-----|}
{tab: A|----7-----7---7-----7-----7------3---3-------3------3------3~--|}
{tab: E|--0-----0-------6-----6-----6s-3----------------3-----3--------|}
---------
Bridge 3
---------
As Bridge 1 but only
played twice instead
of four times.
--------
Verse 3
--------
As Verse 1 but leave
out the switches to
the augmented dyad.
------------
Interlude 2
------------
As Interlude 1
Part II.
---------
Bridge 4
---------
Fig. 2 x 2
With Fig. 6 x 2
The second time Fig. 6
is played, it is altered
slightly like this:
Fig. 6 alt.
{tab: e|-------------------------|}
{tab: B|-------0~----------------|}
{tab: G|-------3~-0~-------0~- <*>--| [x 2]}
{tab: D|--2-2~-2~-5~-----2-2~-4--|}
{tab: A|--2-2~----7~-1-3------3--|}
{tab: E|--0-0~----0~---------- <*>--|}
The notes in the asterisks
are played very quietly.
------------
Interlude 3
------------
As Interlude 1 with the
following alterations:
Fig. 5 is now:
Fig. 5 alt.
{tab: e|----------------------------------------------------------------------|}
{tab: B|----------------------------------------------------------------------|}
{tab: G|----------------------------------------------------------------------|}
{tab: D|----------------1-2-s5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5--|}
{tab: A|-----0~----2~-2-------------------------------------------------------|}
{tab: E|--2~----0~------------------------------------------------------------|}
Fig. 5 alt. cont.
{tab: e|------------------------------------------------------------------|}
{tab: B|------------------------------------------------------------------|}
{tab: G|--s4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4--|}
{tab: D|------------------------------------------------------------------|}
{tab: A|------------------------------------------------------------------|}
{tab: E|------------------------------------------------------------------|}
A third guitar plays
the following figure:
Fig. 8
{tab: e|---------------------------------------------------------------------|}
{tab: B|---------------------------------------------------------------------|}
{tab: G|--8-8-9-8-9-8-9-9-8-8-8-8-8-8-8--------------------------------------|}
{tab: D|--------------------------------9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9--|}
{tab: A|---------------------------------------------------------------------|}
{tab: E|---------------------------------------------------------------------|}
Fig. 8 cont.
{tab: e|----------------------------------------------------------------|}
{tab: B|----------------------------------------------------------------|}
{tab: G|----------------------------------------------------------------| [x 2]}
{tab: D|-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9--|}
{tab: A|----------------------------------------------------------------|}
{tab: E|----------------------------------------------------------------|}
----------
Breakdown
----------
Fig. 1 x 4
A second guitar very slowly pick-scrapes
on the A string at the end of Fig. 1 the
1st time it is played, until the following:
---------
Build-Up:
---------
Fig. 9
{tab: e|----------------------------------------------------------------|}
{tab: B|----------------------------------------------------------------|}
{tab: G|----------------------------------------------------------------| [x 2]}
{tab: D|--8-8-8-8-8-8-8-8-9-9-9-9-9-9-9-s4-4-4-4-4-4-4-4-2-2-2-2-2-2-2--|}
{tab: A|--7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-s3-3-3-3-3-3-3-3-3-3-3-3-3-3-3--|}
{tab: E|--0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-s2-2-2-2-2-2-2-2-0-0-0-0-0-0-0--|}
------------------
Distorted Section:
------------------
Fig. 10
{tab: e|-------------------------------|}
{tab: B|----0~-------------------------|}
{tab: G|----9~--9-9-9~----9-~----------| [x 4]}
{tab: D|--9-9~--9-7-7~----10~---7-7-7~-|}
{tab: A|--7-----7-9-9~----10~---9-9-9~-|}
{tab: E|--0-----0-0-0~--8~----8-8-8-8--|}
A second guitar plays
the following lead figure
after Fig. 10 is played twice:
Fig. 11
{tab: e|----------------------------------------15 <*>---------14 <*>-------|}
{tab: B|--------12~~--12~~--12~~--12~~--12~~--12~~--12~~--12~~--12~~--|}
{tab: G|--14b16~~~~16~~~~16~~~~16~~~~16~~~~16~~~~16~~~~16~~~~16~~~~---| [x 2]}
{tab: D|--------------------------------------------------------------|}
{tab: A|--------------------------------------------------------------|}
{tab: E|--------------------------------------------------------------|}
The notes marked by asterisks are played
with a lot of tremolo. You can fret these
notes with your little finger.
The 14b16 note should be kept bent
throughout Fig. 11; don't release
it back to the 14th fret.
-------------
Bridge/
Outro
-------------
Fig. 2 x 9
On the fourth time Fig. 2
is played, play the following
two figures six times:
Fig. 12
{tab: e|--0-0-0-0--0-0-0--0-0-0-0--0-0-0-0-------------------|}
{tab: B|--5-5-5-5s-3-3-3s-2-2-2-2s-3-3-3-3--8-8-8-8-8-8-8-8--|}
{tab: G|-----------------------------------s9-9-9-9-9-9-9-9--|}
{tab: D|-----------------------------------------------------|}
{tab: A|-----------------------------------------------------|}
{tab: E|-----------------------------------------------------|}
Fig. 12 cont.
{tab: e|-----------------------|}
{tab: B|--10-10-10-10-----12~--|}
{tab: G|---9--9--9--9s-15------|}
{tab: D|-----------------------|}
{tab: A|-----------------------|}
{tab: E|-----------------------|}
The song ends when the first guitar
which was playing Fig. 2 x 9 ends on
the following single-note:
Fig. 12
{tab: e|-------|}
{tab: B|-------|}
{tab: G|-------|}
{tab: D|-------|}
{tab: A|-------|}
{tab: E|--0~~--|}
-------
LYRICS:
-------
Goodnight my love,
Remember me as you fall to sleep,
Fill your pockets with the dust and the memories,
That rises from the shoes on my feet.
I won't be back here,
Though we may meet again.
I know it's dark outside,
Don't be afraid,
Everytime I ever cried from fear,
Was just a mistake that I made,
Wash yourself in your tears,
And build your church,
On the strength of your faith.
Please,
Listen to me,
Don't let go,
Don't let this desperate moonlight leave me,
With your empty pillow,
Promise me the sun will rise again.
I too am tired now,
Embracing thoughts of tonight's dreamless sleep,
My head is empty,
My toes are warm,
I am safe from harm...











