Phantom Other Chords - Department of Eagles

Intro

Cm6/Eb7

{tab: E|-----------------|------------------|------------------|------------------|}

{tab: B|------9--7--5----|-------9--7--5----|-------9--7--5----|-----9-7-5---4--7-|}

{tab: G|------6--6--6----|-------6--6--6----|-------6--6--6----|-----6-6-6---2--5-|}

{tab: D|------7--7--7----|-------7--7--7----|-------7--7--7----|-----7-7-7---2--5-|}

{tab: A|-----------------|------------------|------------------|-------------3--6-|}

{tab: E|5h0--0--0--0-----|-5h0--0--0--0-----|-5h0--0--0--0-----|--5h0-------------|}

I think Rossen is actually playing it with a pick, but for me its easier without. I guess you can figure the rythme, its some kind of alternance between base and the other strings, a bit syncopated. -hold AM7- AM7 A6 G#sus4 F#M7 All right, we'll do this your way AM7 A6 G#sus4 F#M7 All right, we'll make it anyway AM7 A6 G#sus4 Now'd be good time, F#M7 To send us all away there

Chorus

C#m6 F# 11 So what would it take? C#m6 F# 11 And what would it take to make you learn? -First two bars of Intro- C#m6 F# 11 And what would it take? C#m6 F# 11 And what would it take to make you listen? ah -Last two bars of Intro- -Then the samplers beat gets in, and its like really emotive at that point, you can almost feel Rossen anger... Anyways. Its now a bit tricky to get the same sound, because the guitar is mostly indistinct and hidded behind all gloamy effects. The best way to make it work accousticly is maybe to play it in fingerpicking, with every notes slightly divided, so it make almost the same chopped feel - AM7 A6 G#sus4 F#M7 Oh man, you're not the only one AM7 A6 G#sus4 F#M7 Oh boy, with that phantom other gone AM7 A6 Now'd be the right time G#sus4 F#M7 To send us all away AM7 A6 It'd be a good time G#sus4 F#M7 If you just go away there

Chorus

C#m6 F# 11 What would it take? C#m6 F# 11 What would it take to make you leave? -Fisrt two bars of Intro- C#m6 F# 11 What would it take? C#m6 F# 11 What would it take to make you listen? -first two bars of Intro again- C#m6 My God, in heaven F#M7 What were we thinking? C#m6 My God, in heaven F#M7 What were we thinking of? -Noisy little bridge that I can’t figure- F#M7 Look out, look now F#M7/Sol We gotta get out now F#M7 Look out, look out now F#M7/Sol We gotta get out now AM7 Wake up, wake up now AM7/Sib We gotta get out now AM7 Wake up, wake up now AM7/Sib We gotta get out now Outro - same as Intro, with some voice reaching the guitar