Infidels

A Amaj7 Standing on the water, casting your bread Bm/A E/A A While the eyes of the idol with the iron head are glowing A Amaj7 Distant ships sailing into the mist Bm/A E/A You were born with a snake in both of your fists A While a hurricane was blowing Bm E A Freedom just around the corner for you Bm E A D But with truth so far off, what good will it do. E D Jokerman dance to the nightingale tune A E/G# F#m D Bird fly high by the light of the moon | C#m7 | D6 E | A Oh, oh, oh ... Jokerman A Amaj7 So swiftly the sun sets in the sky Bm/A E/A A D/A A You rise up and say goodbye to no one A Amaj7 Fools rush in where angels fear to tread Bm/A E/A A Both of their futures, so full of dread, you don't show one Bm E A Shedding off one more layer of skin Bm E A D Keeping one step ahead of the persecutor within. E D Jokerman dance to the nightingale tune A E/G# F#m D Bird fly high by the light of the moon C#m7 D6 E A Oh, oh, oh, Jokerman. A Ammaj7 You're a man of the mountain, you can walk on the clouds Bm/A E/A A D/A Manipulator of crowds, you're a dream twister A You're going to Sodom and Gomorrah Amaj7 Bm/A E/A A But what do you care ? Ain't nobody there would want marry your sister Bm E A Friend to the martyr, a friend to the woman of shame Bm E A D You look into the fiery furnace, see the rich man without any name. E D Jokerman dance to the nightingale tune A E/G# F#m D Bird fly high by the light of the moon | C#m7 | D6 E | A Oh, oh, oh ... Jokerman A Ammaj7 Well, the Book of Leviticus and Deuteronomy Bm/A E/A A D/A The law of the jungle and the sea are your only teachers A Amaj7 In the smoke of the twilight on a milk-white steed Bm/A E/A A Michelangeo indeed could've carved out your features Bm E A Resting in the fields, far from the turbulent space Bm E A D Half asleep near the stars with a small dog licking your face E D Jokerman dance to the nightingale tune A E/G# F#m D Bird fly high by the light of the moon | C#m7 | D6 E | A Oh, oh, oh ... Jokerman A Ammaj7 Well, the rifleman's stalking the sick and the lame Bm/A E/A A D/A Preacherman seeks the same, who'll get there first is uncertain A Amaj7 Nightsticks and water cannons, tear gas, padlocks Bm/A E/A A Molotow cocktails and rocks behind every curtain Bm E A False-hearted judges dying in the webs that they spin Bm E A D Only a matter of time 'til the night comes stepping in. E D Jokerman dance to the nightingale tune A E/G# F#m D Bird fly high by the light of the moon | C#m7 | D6 E | A Oh, oh, oh ... Jokerman A Amaj7 It's a shadowy world, skies are slippery gray Bm/A E/A A D/A A woman just gave birth to a prince today and dressed him in scarlet A Amaj7 He'll put the priest in his pocket, put the blade to the heat Bm/A E/A Take the motherless children off the street A And place them at the feet of a harlot Bm E A Oh, Jokerman, you know what he wants Bm E A D Oh, Jokerman, you don't show any response. E D Jokerman dance to the nightingale tune A E/G# F#m D Bird fly high by the light of the moon | C#m7 | D6 E | A Oh, oh, oh ... Jokerman | A | Amaj7 | Bm/A | E/A | A | D/A | | A | Amaj7 | Bm/A | E/A | A | D/A | | Bm | E | A | % | | Bm | E | A | D | | E | D | A E/G# | F#m D | | C#m7 | D6 E | A | --------------------------------------------------------------------------- 2. Sweetheart Like You – Bob Dylan --------------------------------------------------------------------------- capo: 4th fret play: C key: E For original chords transpose this tab +4 --------------------------------------------------------------------------- E-A-D-G-B-e G/B x-2-0-0-0-3 Dm9 x-5-3-5-5-x or (easier) x-x-0-2-1-0 --------------------------------------------------------------------------- C Am Well, the pressure’s down, the boss ain’t here Am G | F | % | He gone North, for a while C Am They say that vanity got the best of him Am G | F | % | But he sure left here in style Am Dm By the way, that’s a cute hat Am Dm And that smile’s so hard to resist C G/B Am G F | F | % | % | But what’s a sweetheart like you do-in’ in a dump like this? C Am You know, I once knew a woman who looked like you Am G | F | % | She wanted a whole man, not just a half C Am She used to call me sweet daddy when I was only a child Am G | F | % | You kind of remind me of her when you laugh Am Dm In order to deal in this game, got to make the queen disappear Am Dm It’s done with a flick of the wrist C G/B Am G F | F | % | % | What’s a sweetheart like you do-in’ in a dump like this? C Am You know, a woman like you should be at home Am G | F | % | That’s where you belong C Am Taking care of somebody nice Am G | F | % | Who doesn’t know how to do you wrong Am Dm Just how much abuse will you be able to take? Am Dm Well, there’s no way to tell by that first kiss C G/B Am G F | F | % | % | What’s a sweetheart like you do-in’ in a dump like this? Middle 8 G You know ... you can make a name for yourself Am [ Am G| You can hear them tires squeal F You can be known as the most beautiful woman Dm9 Who ever crawled across cut glass to make a deal C Am You know, news of you has come down the line Am G | F | % | Even before ya came in the door C Am They say in your father’s house, there’s many mansions Am G | F | % | Each one of them got a fireproof floor Am Dm Snap out of it, baby, people are jealous of you Am Dm They smile to your face, but behind your back they hiss C G/B Am G F | F | % | % | What’s a sweetheart like you do-in’ in a dump like this? Middle 8 G Got to be an important person to be in here, honey Am [ Am G| Got to have done some evil deed F Got to have your own harem when you come in the door Dm9 Got to play your harp until your lips bleed C Am They say that patriotism is the last refuge Am G | F | % | To which a scoundrel clings C Am Steal a little and they throw you in jail Am G | F | % | Steal a lot and they make you king Am Dm There’s only one step down from here, baby Am Dm It’s called the land of permanent bliss C G/B Am G F | F | % | % | What’s a sweetheart like you do-in’ in a dump like this? | C | Am | Am G | F | % | | C | Am | Am G | F | % | | Am | Dm | Am | Dm | | C G/B | Am G | F | % | % | % | (repeat and fade) --------------------------------------------------------------------------- 3. Neighborhood Bully – Bob Dylan --------------------------------------------------------------------------- | E | % | % | % | D A A E Well, the neighborhood bully, he's just one man D A A E His enemies say he's on their land G D D A They got him outnumbered about a million to one A E G D He got no place to escape to, no place to run D A | D A | % | % | He's the neighborhood bully. D A A E Neighborhood bully, he just lives to survive D A A E He's criticized and condemned for being alive G D D A Not supposed to fight back, and have thick skin A E G D Supposed to lay down and die when his door is kicked in D A | D A | % | % | He's the neighborhood bully. D A A E Neighborhood bully, been driven out of every land D A A E He's wandered the earth an exiled man G D D A Seen his family scattered, people hounded and torn A E G D He's always on trial for just being born D A | D A | % | % | He's the neighborhood bully. D A A E Well, he knocked out a lynch mob, he was criticized D A A E Old women condemned him, said he should apologize G D D A Then he destroyed a bomb factory, and nobody was glad A E G D The bombs were meant for him. He was supposed to feel bad D A | D A | % | % | He's the neighborhood bully. D A A E Well, the chances are against it and the odds are slim D A A E That he'll live by the rules that the world makes for him G D D A 'Cause there's a noose at his neck and a gun at his back A E G D And a license to k**l him is given out to every maniac D A | D A | % | % | % | % | He's the neighborhood bully. D A A E Well, he got no allies to really speak of D A A E What he gets he must pay for, he don't get it out of love G D D A He buys obsolete weapons and he won't be denied A E G D But no one sends flesh and blood to fight by his side D A | D A | % | % | He's the neighborhood bully. D A A E Well, he's surrounded by pacifists who all want peace D A A E They pray for it nightly that the bloodshed must cease G D A Now, they wouldn't hurt a fly. To hurt one they would weep A E G D They lay and they wait for this bully to fall asleep D A | D A | % | % | He's the neighborhood bully D A A E Every empire that's enslaved him is gone D A A E Egypt and Rome, even the great Babylon G D D A He's made a garden of paradise in the desert sand A E G D In bed with nobody, under no one's command D A | D A | % | % | He's the neighborhood bully D A A E Now his holiest books have been trampled upon, D A A E No contract he signed was worth what it was written on. G D D A He took the crumbs of the world and he turned it into wealth, A E G D Took sickness and disease and he turned it into health. D A | D A | % | % | He's the neighborhood bully. D A A E What's anybody indebted to him for? D A A E Nothin', they say. He just likes to cause war G D D A Pride and prejudice and superstition indeed A E G D They wait for this bully like a dog waits to feed D A | D A | % | % | He's the neighborhood bully Verse 11 D A A E What has he done to wear so many scars? D A A E Does he change the course of rivers? Does he pollute the moon and stars? G D D A Neighborhood bully, standing on the hill A E G D Running out the clock, time standing still D A | D A | % | % | Neighborhood bully | D A | % | % | % | (repeat and fade) --------------------------------------------------------------------------- 4. License to K**l – Bob Dylan --------------------------------------------------------------------------- Much easier to play in G (transpose +3) which makes it one semi-tone higher than Dylan's version. To match Dylan's recording you'd have to tune down all strings down one semi-tone. This chord sheet Alternative Tuning: Standard One step down Transpose: - +3 Capo: 2nd fret - Play: E G Key: F# F# --------------------------------------------------------------------------- LINK E Esus4 E 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + --------------------------------------------------------------------------- E-A-D-G-B-e F#7sus4/C# x-4-4-4-5-x Esus4 0-2-2-2-0-0 --------------------------------------------------------------------------- E C#m B E Man thinks ’cause he rules the earth he can do with it as he please E C#m B F#7sus4/C# B And if things don’t change soon, he will A E Oh, man has invented his doom E A First step was touching the moon C#m B A Now, there’s a woman C#m B A On my block C#m B A She just sit there C#m B A As the night grows still E B E Esus4 E She say who gonna take away his license to k**l? = LINK E C#m B E Now, they take him and they teach him and they groom him for life E C#m B F#7sus4/C# B And they set him on a path where he’s bound to get ill A E Then they bury him with stars E A Sell his body like they do used cars C#m B A Now, there’s a woman C#m B A On my block C#m B A She just sit there C#m B A Facing the hill E B E Esus4 E She say who gonna take away his license to k**l? = LINK E C#m B E Now, he’s hell-bent for destruction, he’s afraid and confused E C#m B F#7sus4/C# B And his brain has been mismanaged with great skill A E All he believes are his eyes E A And his eyes, they just tell him lies C#m B A But, there’s a woman C#m B A On my block C#m B A She just sit there C#m B A In a cold chill E B E Esus4 E She say who gonna take away his license to k**l? = LINK Middle 8 C#m Ya may be a noisemaker, spirit maker E Heartbreaker, backbreaker F#m E Leave no stone unturned C#m May be an actor in a plot E That might be all that you got F#m B ’Til your error you clearly learn E C#m B E Now he worships at an altar of a stagnant pool E C#m B F#7sus4/C# B And when he sees his reflection, he’s fulfilled A E Oh, man is opposed to fair play E A He wants it all and he wants it his way C#m B A Now, there’s a woman C#m B A On my block C#m B A She just sit there C#m B A As the night grows still E B E Esus4 E She say who gonna take away his license to k**l? = LINK (= verse + chorus) | E | C#m | B | E | | E | C#m | B F#7sus4/C# | B | | A | E | E | A | | C#m B A | C#m B A | C#m B A | C#m B A | | E | B | E --------------------------------------------------------------------------- 5. Man of Peace – Bob Dylan --------------------------------------------------------------------------- Capo: 1st fret Play: A Key: Bb For chords in original key transpose +1 (and “use flats”) --------------------------------------------------------------------------- Riff (with organ) A D/A A D G/D G 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + G|2----------2--2-| |2----------0--2-| --------------------------------------------------------------------------- | A | % | % | % | A Look out your window, baby, there's a scene you'd like to catch A The band is playing "Dixie”, a man got his hand outstretched D A Could be the Fuhrer, could be the local priest E A Well, sometimes Satan, you know he comes as a man of peace A He got a sweet gift of gab, he got a harmonious tongue A He knows every song of love that ever has been sung D A Good intentions can be evil, both hands can be full of grease E A Well, sometimes Satan, sometimes Satan comes as a man of peace A Well, first he's in the background, then he's in the front A Both eyes are looking like they're on a rabbit hunt D A Nobody can see through him, no, not even the Chief of Police E A You know that sometimes Satan comes as a man of peace | A | % | % | % | | D | % | A | % | | E | % | A | % | A Well, he catch you when you're hoping for a glimpse of the sun A Catch you when your troubles feel like they weigh a ton D A He could be standing next to you, the person that you'd notice least E A I hear that sometimes Satan come as a man of peace A Well, he can be fascinating, he can be dull A He can ride down Niagara Falls in the barrels of your skull D A I can smell something cooking, I can tell there's going to be a feast E A You know that sometimes Satan will come as a man of peace | A | % | % | % | | D | % | A | % | | E | % | A | % | A He's a great humanitarian, he's a great philanthropist A He knows just where to touch you, honey, and how you like to be kissed D A He'll put both his arms around you, you can feel the tender touch of the beast E A You know sometimes Satan will come as a man of peace A Well, the howling wolf will howl tonight, the king snake will crawl A Trees that've stood for a thousand years suddenly will fall D A Wanna get married? Do it now, tomorrow all activity will cease E A You know sometimes Satan come as a man of peace | A | % | % | % | | D | % | A | % | | E | % | A | % | A Somewhere Mama's weeping for her blue-eyed boy A She's holding them little white shoes and that little broken toy D A And he's following a star, the same one them three men followed from the East E A I hear sometimes Satan come as a man of peace, oh yeah ... | A | % | % | % | | D | % | A | % | | E | % | A | % | | A | % | % | % | | D | % | A | % | | E | % | A | % | (repeat pattern and fade) --------------------------------------------------------------------------- 6. Union Sundown – Bob Dylan --------------------------------------------------------------------------- | A | % | % | % | A G Well, my shoes, they come from Singapore A My flashlight's from Taiwan A G My tablecloth's from Malaysia A My belt buckle's from the Amazon A G You know, this shirt I wear comes from the Philippines A And the car I drive is a Chevrolet A G It was put together down in Argentina G A By a guy makin' thirty cents a day D A Well, it's sundown on the union D A And what's made in the U.S.A D A Sure was a good idea D E | A | % | % | % | 'Til greed got in the way A G Well, this silk dress is from Hong Kong A And the pearls are from Japan A G Well, the dog collar's from India A And the flower pot's from Pakistan A G All the furniture, it says "Made in Brazil" A Where a woman, she slaved for sure A G Bringin' home thirty cents a day to a family of twelve A You know, that's a lot of money to her D A Well, it's sundown on the union D A And what's made in the U.S.A D A Sure was a good idea D E | A | % | % | % | 'Til greed got in the way A G Well, you know, lots of people complainin' that there is no work A I say, "Why you say that for A G When nothin' you got is U.S.-made?" A They don't make nothin' here no more A G You know, capitalism is above the law A It say, "It don't count 'less it sells." A G When it costs too much to build it at home A You just build it cheaper someplace else D A Well, it's sundown on the union D A And what's made in the U.S.A D A Sure was a good idea D E | A | % | % | % | 'Til greed got in the way A G Well, the job that you used to have A They gave it to somebody down in El Salvador A G The unions are big business, friend A And they're goin' out like a dinosaur A G They used to grow food in Kansas A Now they want to grow it on the moon and eat it raw A G I can see the day coming when even your home garden A Is gonna be against the law D A Well, it's sundown on the union D A And what's made in the U.S.A D A Sure was a good idea D E | A | % | % | % | 'Til greed got in the way A G Democracy don't rule the world A You'd better get that in your head A G This world is ruled by violence A But I guess that's better left unsaid A G From Broadway to the Milky Way A That's a lot of territory indeed A G And a man's gonna do what he has to do A When he's got a hungry mouth to feed D A Well, it's sundown on the union D A And what's made in the U.S.A D A Sure was a good idea D E | A | % | % | % | 'Til greed got in the way | A | % | % | % | (repeat and fade) --------------------------------------------------------------------------- 7. I And I – Bob Dylan --------------------------------------------------------------------------- | Am C | G | D | Am | Am C G Been so long since a strange woman has slept in my bed D Am Look how sweet she sleeps, how free must be her dreams Am C G In another lifetime she must have owned the world, or been faithfully wed D Am To some righteous king who wrote psalms beside moonlit streams Am I and I G D Am In creation where one’s nature neither honors nor forgives Am I and I G D Am One says to the other, no man sees my face and lives Am C G Think I’ll go out and go for a walk D Am Not much happenin’ here, nothin’ ever does Am C G Besides, if she wakes up now, she’ll just want me to talk D Am I got nothin’ to say, ’specially about whatever was Am I and I G D Am In creation where one’s nature neither honors nor forgives Am I and I G D Am One says to the other, no man sees my face and lives Am C G Took an untrodden path once, where the swift don’t win the race D Am It goes to the worthy, who can divide the word of truth Am C G Took a stranger to teach me, to look into justice’s beautiful face D Am And to see an eye for an eye and a tooth for a tooth Am I and I G D Am In creation where one’s nature neither honors nor forgives Am I and I G D Am One says to the other, no man sees my face and lives Am C G Outside of two men on a train platform there’s nobody in sight D Am They’re waiting for spring to come, smoking down the track Am C G The world could come to an end tonight, but that’s all right D Am She should still be there sleepin’ when I get back Am I and I G D Am In creation where one’s nature neither honors nor forgives Am I and I G D Am One says to the other, no man sees my face and lives Am C G Noontime, and I’m still pushin’ myself along the road, the darkest part D Am Into the narrow lanes, I can’t stumble or stay put Am C G Someone else is speakin’ with my mouth, but I’m listening only to my heart D Am I’ve made shoes for everyone, even you, while I still go barefoot Am I and I G D Am In creation where one’s nature neither honors nor forgives Am I and I G D Am One says to the other, no man sees my face and lives | Am9 | % | % | % | (repeat and fade) --------------------------------------------------------------------------- 8. Don’t Fall Apart On Me Tonight – Bob Dylan --------------------------------------------------------------------------- | C G/B | Fmaj7 | C G/B | F maj7 | | C G/B | Fmaj7 | C G/B | F maj7 | C G/B Fmaj7 Just a minute before you leave, girl C G/B Fmaj7 Just a minute before you touch the door C G/B Fmaj7 What is it that you're trying to achieve, girl? C G/B Fmaj7 Do you think we can talk about it some more? Dm You know, the streets are filled with vipers Dm Who've lost all ray of hope C/G You know, it ain't even safe no more G In the palace of the Pope C G/B Fmaj7 Don't fall apart on me tonight C G/B Fmaj7 I just don't think that I could handle it C G/B Fmaj7 Don't fall apart on me tonight Dm Em Yesterday's just a memory F C/G Tomorrow is never what it's supposed to be | F/G | F/G G | And I need you, yeah C G/B Fmaj7 Come over here from over there, girl C G/B Fmaj7 Sit down here. You can have my chair C G/B Fmaj7 I can't see us goin' anywhere, girl C G/B Fmaj7 The only place open is a thousand miles away and I can't take you there Dm I wish I'd have been a doctor Dm Maybe I'd have saved some life that had been lost C/G Maybe I'd have done some good in the world G 'Stead of burning every bridge I crossed C G/B Fmaj7 Don't fall apart on me tonight C G/B Fmaj7 I just don't think that I could handle it C G/B Fmaj7 Don't fall apart on me tonight Dm Em Yesterday's just a memory F C/G Tomorrow is never what it's supposed to be | F/G | F/G G | And I need you, yeah C G/B Fmaj7 I ain't too good at conversation, girl C G/B Fmaj7 So, you might not know exactly how I feel C G/B Fmaj7 But if I could, I'd bring you to the mountaintop, girl C G/B Fmaj7 And build you a house made out of stainless steel Dm But it's like I'm stuck inside a painting Dm That's a-hanging in the Louvre C/G My throat start to tickle and my nose itches G But I know that I can't move C G/B Fmaj7 Don't fall apart on me tonight C G/B Fmaj7 I just don't think that I could handle it C G/B Fmaj7 Don't fall apart on me tonight Dm Em Yesterday's gone but the past lives on F C/G Tomorrow's just one step beyond | F/G | F/G G | And I need you, oh Middle 8 Bb Fmaj7 Who are these people who are walking towards you? F C Do you know them or will there be a fight? Bb Fmaj7 With their humorless smiles so easy to see through F C Can they tell you what's wrong from what's right? F C Or do you remember St. James Street F C Where you blew Jackie P.'s mind? F C You were so fine, Clark Gable would have fell at your feet Bb F | F/G | G | And laid his life on the line | C G/B | Fadd9 | C G/B | Fadd9 | C G/B Fmaj7 Let's try to get beneath the surface waste, girl C G/B Fmaj7 No more booby traps and bombs, No more decadence and charm C G/B Fmaj7 No more affection that's misplaced, girl, C G/B Fmaj7 No more mudcake creatures lying in your arms Dm What about that millionaire Dm With the drumsticks in his pants? C/G He looked so baffled and so bewildered G When he played and we didn't dance C G/B Fmaj7 Don't fall apart on me tonight C G/B Fmaj7 I just don't think that I could handle it C G/B Fmaj7 Don't fall apart on me tonight Dm Em Yesterday's just a memory F C/G Tomorrow is never what it's supposed to be | F/G | F/G G | And I need you, yeah, oh, I need you ... | C G/B | Fmaj7 | C G/B | Fmaj7 | (repeat and fade)